GLOVE 2

DKfTiilV4AEcPF6Ian Cusack’s Glove smacked onto the zine scene harder than a Gilly’s ton.  This second slap of fightin’ words has initiated another pen duel. To tackle the work presented here and inform the word insatiable’s why Glove is the kind of publication you should support.

Firstly, my favourite conch Holly Watson takes out the honour of setting the story bar high. I have been frothing at the mouth over Holly’s work in other zines and whenever I get an opportunity to share a new blog post or story of hers, there is never, ever any trepidation re the quality and humour that will appear. I seriously want a rainy weekend, a packet of penguins and her back catalogue of adventures all in one place. Someone please tell me that is happening soon. I cannot fathom why this writer is not being snapped up and shared. Her stories are straight out script like, I see the movie, I see the franchise, call Mike Leigh! In this story, Holly needs the help of Nanny Pam’s keen eye and style to procuring a fancy dress outfit to knock all the other Spice Girl wannabes for six. This diarised table of events is a funny, tender and tragic tale of growing up in Holly’s world. Superb as always.

There is no real order of placement in Glove. It’s the kind of zine thats style comes from  random fits and this works well. Dani Devotchik’s Alcohol found its place, tucked in the bottom of the page, though stands out strong with its message. Wes Cooke teases his way through Art Brute, Roy MacBeth’s aka ‘The Finsbury Park Fauve’s’ latest exhibition. Major crack ups to be had here as Wes sets the scene with its tantalising mockumentary approach. Bloody brilliant.

Little poetic breaks are our light refreshment but Between Wear and Tyne by Jason Jackson is by no means lightweight. This is a wonderful reminisce of life before being born, womb memoirs and catching ‘more distant, future notes‘, its message lingering and magically pondered.

Hands Thegither is written in Scots and lilts with a brilliant pace. The story builds from an encounter at a play, when a non applauding punter riles him up triggering a wave of words and emotion. “See, the world’s been pissin me oaff for a while noo an Ah dinnae really ken whit tae dae aboot it” The applause is loud from me, adored this story from A.G.Kayman.

There is a perfect calming inside To spend an evening easy by DS Maolalai every stanza filled with the ordinary, imagery of a simple evening, drinking beer with an old friend. Spine tingles a plenty when I read Mary by Carl Taylor, with his flash of great style and suspense, taking me to my own dark and warp to fill in the gaps and ending.

When I was last in the UK, I was held like gunpoint to watch my uncles favourite show Pointless. With open mouth I tried my best to fathom the concept. To win, one must choose the least correct answer that a group of people would choose on a given subject, like lets say Medieval Popes. Firstly, you gotta be up on your popes. Secondly it is seemingly unavailing, surreal even, hopeless, but my rellos love it, laughing between brews, crumbs spat everywhere. PJ Smith uses this televisual phenomenom as the backdrop for his captivating story on family, drugs, the need for connection and the cult of personality. Bonza stuff.

Half way in now, and surely you can see the value. Time to get word winded by the brilliant and prolific Ford Dagenham. I threw out my jogging shoes today does the collapse under the weight of his strange everyday. Gwil James Thomas is back inside my eyes with Solitude. The life of a writer, torn up with the need, but craving the other. Lucky punters get a good taste of a favourite. Here is a choice cut from Billy And The DevilBy The Time I Get Through The Shop Door by Dean Lilleyman. This barney between Billy and his boss Norris whose head is “jut-jutting like a fuckarsed chicken” has his sights set on stuffing up his day. This story kicks bottom. If all these literary licks have finally tantalised, look out for the exorcised release via Hi Vis next year.

If Terence Corless is testing the waters for content for his novel, the 17th Weekend better be part of it. In just five paragraphs he took me just to the moment of boredom and as I thought ‘what’s he up to here then?’ THWACK! Take romance, tragedy and a cliffhanger in a shot glass and light it! The chills down my shoulders still reverberating. As does Deborah Baird’s Victim and the nasties endured during break ups.

Onto some bloke called Cusack who goes full on nutjob at the barbers. His inner rant cathartic, funny and borderline real. Adam Steiners Jellyfish surfaces with beauty to then plunge into silent bubbles of truth. Walter Otton is a clever manipulator. His story Supermarket Samaritan has you questioning heroes in an instant, its plot lingers. Tim Baldwin’s Letter De Cachet is rich and evoking. Myself imprisoned by its imagery, read over and over, an architectural possession of thought.

Joseph Ridgwell’s silver tongue can’t help flickering. Too Old To Pull It Off is the stark truth re an old flame and bonus piece The Female has him climbing family trees uncovering ironic tragedies. Ridgwell’s style is blushingly honest, no skeletons in his back catalogue, though he will add extra meat to all his bleached bones, Ridgwell is what he is, upfront and delightful. All the rewards of his closed doors will hopefully be revealed in the new year.

You Should Be by Steve Campbell is chilling. When Hypnopompic meets Hypnagogic the terror is tantamount to post traumatic stress disorder, so real and excruciating, as it takes turns entering in and out of husband & wife. Really chilling, emphatic to its horror. Jamie Thrasivoulou’s The Best of A Bad Situation is still sitting on my desk, and re read. So it is a delight to bump into him here. Bin Day/Autumn/Terraced Streets is a fitting contribution for now and anytime really. His eyes and ears attuned to what’s going on around him, in the moment, a polaroid of his suburbia.

The pages have thinned now, but I know Michael Keenaghan will be fat with menace and reality. But instead I see a welcomed vulnerability but still very real. When your guard is down it can invite good and bad. Our futures prepared, Michael flashes black and white from “a hell of mistakes, regrets, disease” to “the funfair sounding across the green“. The secrets we keep exorcised for all “the dirty dark secrets of mankind”. The same reactions, same scenarios, the healing begins.

Little word stompers are all through this issue. Joseph Albenese’s What We Offer, the defiant fearless ecstasy of Scott Wozniak A Final Bit Of Romance, the evocative unease of Jared Carnie’s list of New Things in the House, Ally May’s mindfulness in Westgate Road, Jim Gibson’s mind trickery of Mottled & Katie Lewington GB, who has us questioning is it people or place that shapes identity.

What a great batch of writers, bloody brilliant.

Only a few issues left of Glove #2

Glove #3 is OUT NOW

£3 UK, £4 EU & £5 R of W

40 pages of outsider prose & poetry by 32 writers – PayPal to iancusack@blueyonder.co.uk

 

 

 

 

 

 

 

Book Review Dean Lilleyman Ford Dagenham Glove Gwil James Thomas Joseph Ridgwell Reviews Zines & Journals

GWIL vs MACHINE

I wanna wanna wanna make a fanzine…

 

Damn catchy that. Trapped in my head now. That’s the kind of thing that happens when I search round for any info on my review subjects. My latest, man of mystery, punk poet and original member of the ‘muy guay’ underground band, ‘Irreparables’, Gwil James Thomas.

So delighted to see the many places his work has appeared. Loads of zines, articles online, backs of doors, loads of personal journals and finally, through the stapled and bloody deft fingers of Martin Appleby. This is another fine release from ‘Paper&InkZine‘ Towers and chance for a brief encounter with this compiled work written between 2013 & 2016. This will surely be a warm up for some meatier compilations. As an admirer of his thoughts – reviews in Zines & Journals like Push, Paper & Ink & Hand Job – one won’t be deterred by time. It will come when it comes and so, for now, get treated to this compact taster, Gwil vs Machine.

gwilFirst I dig the typewriter offset and obscure mentions of dead punks. I also want to ‘bring back free toys in cereals’. Absolutely. My growing pains have become ink, completely sold me and I’ve just turned the first page. I have read a few of these before, enjoying them again as I did then. A jack of everything, this guy lists them all out for us in The Mule’s Early Retirement, finding worth in all the pain and crap one puts up with slugging it for ‘delusional power hungry cunts‘. With Gwil, there is a delightful poeticism in his straightforwardness. Lots of poems breeze through nature, poems for ants, where he has been or where he is heading. A traveller’s bag of stories, side of the road laments. Absolute freaking solid beauty like San Sebastian Poem, you are there, and for a moment you too want to find a similar fate. The Man Who Wasn’t Feeling Himself delves back to a childhood memory and with the years of that image returning formed into a fine memorial, understanding what really happened, interpretation far from truth. Humans hide so much away from each other, they make light and life moves on.

Gwil rides his imagination through the night, you can tell these are the poems that helped him sleep, that cleared a restless mind. There are poems that also black and white it. Reflecting On Everything That I Loved About Your Art Exhibition, don’t want to give the poem away, but two words say it all. Gwil loves the sea, the words wade just like a swell at times, a shanty, beautiful rhythms to cause a sigh. It has been a wondrous glimpse and the more times I read the louder his voice becomes. We all need to fight the machine.

Now for the bad news. This one has sold out! (boo goes the crowd) but I hear there may be a round two soon. Just contact Martin if you are interested in a copy.

 

 

(intro line lyrics by The Irreparables /featured image introduction by Gwil James Thomas)

 

 

Gwil James Thomas Poetry Reviews Zines & Journals